Guerrilla Metropolitana is a boundary-pushing Italian filmmaker based in London, known for his uncompromising artistic vision and subversive cinematic language. With a style that blurs the line between experimental film, political manifesto, and transgressive performance art, he has quickly established himself as one of the most provocative figures in underground cinema. His debut feature, DARIUSS (2023), garnered attention for its hallucinatory visuals, surreal narrative structure, and deeply personal themes of alienation, sexuality, and rebellion. Blending psychedelic aesthetics with brutal realism, the film polarized audiences and critics alike, earning comparisons to the work of Alejandro Jodorowsky, Gaspar Noé, and Pier Paolo Pasolini.

 

In 2025, Guerrilla followed up with THE BENEFACTRESS (An Exposure of Cinematic Freedom)—a bold, unapologetic exploration of power, exploitation, and the commodification of identity in the age of spiritual corruption. Featuring graphic sexual imagery and confrontational storytelling, the film has been described as both a cinematic provocation and a declaration of war on artistic censorship. Early screenings led to heated debate and walkouts, while a small but vocal group of critics heralded it as a groundbreaking work of radical expression. Refusing to conform to industry expectations, Guerrilla Metropolitana works outside the mainstream, producing films on his own terms and often collaborating with performers and creatives from fringe and subcultural communities. His work is intentionally divisive—designed not to please, but to provoke, question, and challenge deeply held societal norms. A cult figure in the making, Guerrilla Metropolitana represents a new wave of European auteurs for whom cinema is not entertainment, but insurgency.